Working in multiple genres, Yuzuru Tachikawa has built up a reputation for his inventive mix of stylish aesthetic and shonen-infused directorial ability, as seen in projects ranging from The Lady Called Fujiko Mine and Death Parade, to Bleach and, recently, Mob Psycho 100. With his newest film, Blue Giant as previously discussed with Game Rant, the director aims to shine a light on the Tokyo jazz scene through a trio of very differently thinking—and differently sounding—musicians.